12/4/2023 0 Comments Rita hayworth old![]() When Acuña goes on a business trip, he forgets to keep sending the orchids, devastating Maria. instantly sees this as the awful plan it is, but Acuña won't listen. Just then, Acuña gets an idea: he'll start sending Maria orchids and a handwritten card every day from a "secret admirer" and then once she is intrigued, he'll supply the man, whoever he may be. Maybe if a man were to write her love letters or send her flowers every day. explains that his daughter is really "as old-fashioned as a hoop skirt" and that she wants to be swept off her feet. Bob gives up and locates Acuña, but when he shudders as Maria walks by and remarks that her personality is like "the inside of a refrigerator," Acuña reveals she is his daughter and an embarrassed Bob shows himself the door.Īt his office the next morning, Acuña complains about this episode to Maria Castro, whom his daughter was named after. Acuña just can't understand why Maria acts so coldly toward men, but Maria C. Realizing how stunning this random woman is, Bob tries to engage her in some small talk, but she refuses to do anything other than give him a blank stare. He tries to find the hotelier during the reception by asking Maria if she has seen him. Someone who isn't swooning, though, is Acuña, much to Bob's dismay. The results, as you'll soon see, are pretty spectacular. Astaire was adamant that he wanted to explore Latin dance, though, and he was able to do so with the help of special arrangements by Cugat and Lyle Murphy, and Hayworth's own influence. In addition to Cugat's hiring, Kern was also uneasy about composing in the Latin style. After production, however, Kern was so happy with Cugie's contributions that he gifted the bandleader with a silver baton. The movie's elegant score was courtesy of Johnny Mercer and Jerome Kern, who, surprisingly, was reticent about the inclusion of Cugat. Thanks to the Good Neighbor Policy, Columbia kept the film's Argentina setting and brought in Xavier Cugat and his orchestra to add some more Latin authenticity to the project. Seiter, the film is a remake of the 1941 Argentine musical Los martes, orquídeas ( On Tuesdays, Orchids). She had gained a lot of experience and was by then one of the top feminine stars on the screen."ĭirected by William A. Astaire was excited to reunite with Hayworth for You Were Never Lovelier, writing in his autobiography, "I looked forward to it mainly because Rita was so delightful to work with and I wanted very much to have a big hit with her. For Fred, the picture was much-needed assurance that he could do well without Ginger always by his side. It was Rita's first major movie for Columbia and it helped launch her as a box office sensation. You'll Never Get Rich, while not a masterpiece by any means, was an important film for both of its stars. I kept thinking how extraordinary it was to find myself about to play opposite my friend Eduardo Cansino's lovely daughter, and I told her so. ![]() "We then danced around the mirrored room in impromptu ballroom fashion, as I wanted to get an idea of how we looked together. ![]() I said, 'I'm an old friend of your father's.' 'Yes, I know,' murmured Rita."įred then asked her how tall she was, something he was always concerned about with his partners, and was relieved to discover he stood three inches taller than her. Bob Alton, choreographer on, brought her over and introduced us. I didn't see her and asked one of the assistants, 'Isn't Miss Hayworth going to be here this morning?' He pointed to a remote corner of the room, 'Why, yes - she's been here for some time.' There she was. According to Fred, "As I came up the last few steps I gave a hurried glance around, expecting to see Rita, as I had been told she would be there. When Hayworth and Astaire met, it was at a rehearsal hall at Columbia Studios.
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